22 May 2020
Claude lies on two
small black slippers this morning. Pushes paws into the slots where
feet fit. Lies on one slipper, then flips on his back, grasps
slipper to belly. Rubs his gray face on the slipper’s bottom, then
covers it, grabs the other slipper, performs a somersault, looks back
toward the door where other cats sometimes skulk, returns to the
slipper. Were the slippers not plastic, his embrace would kill them.
Khmer Rouge cadres wore slippers made of old tires when they killed
her father. Memory is a zoom background that slips in and out of a
body. She filled her room with cells, kept losing her head to them.
Bodies with cells on top. It’s hard to do two things at once on the
screen, though one poet read with only one eyebrow and half a furrow
showing. Another poet’s selfie featured migrant gray eyebrow hairs.
The practice of aging requires discipline, an old woman schlepping
across a desert. She focuses on anything that is not sand, demented
landscape of cactus and rock outcropping. That’s what shows as new,
as most impermanent, what we identify as most like ourselves. “Change
mind” was her first favorite phrase in English. Change mind is what
her grandmother did, without meaning. We are, without meaning to be.
Watch yourself as you want to be in the world. Then subtract reality
from desire and want that, too.
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