21 May 2020
See yourself as
you’d like to move in the world. My
gray and white cat turns tight circles on the be, front paws
stretching out. Tail! He bathes one paw, flips
again, falls, sniffs an open book, bathes, turns toward noise of rain and
birds and circular saw. Pushes
at another book, sniffs,
returns
to front left paw, hears cabinet door shut in kitchen, smells first
book, props
nose under it, sits
up. Treatise on Stars braces
like a lean-to on his shoulders, then falls forward as
he returns to tail, bathes
belly. From one square, a
poet opined
we’re living in open time, almost in outer space time, floating.
Who are we, then? Not the driver in the bus, nor the RN in ICU, nor
the mourners we cannot see marching to a jazz beat. Not the talkers
behind walls, breathers in ventilators, heart monitor beeps. Muffled
breathing, muffled weeping, muffled dying. 95 thousand dead and no
word. Words uttered are all
lies. The truth is in our dying, our witnessing, our refusing to
attend. The poet is a pall bearer, but he’s caught in a video
square looking out, lamenting a
technical glitch that places him outside the screen's center. In
an ill-lit room, a woman dances beneath a sheet, making and unmaking
mushrooms. Not the mother of
small children, not the student in her room on the computer, not even
the cataloguer of same. We cannot reach from square to square, so we
wave as we would move in the world to embrace. We lean forward to
read each other’s names. We turn off the video so we can pee. It’s
a dance where we watch ourselves watching each other, imagining
communities of squares. Yeehaw! One
poet never arrives at his square. Let me turn you on. Or let me turn
you off. But don’t breathe the word death to the screen, for fear
it might, like a stone, come into being as not.
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