The Cross is an intersection
of streets in Kaka`ako, is a line of tents in Kalihi, is He`eia
stream beside the man on the bike's hutch. A bottle dipped in the
stream was all I saw beneath his tarp, old white guitar laid on top.
Intention is the mother of empathy, of which there was none. The man
with the white guitar plays things we want not to see. He plays for
an audience of egrets, of passing trucks pulling boats, of workmen on
the bridge. He plays for taro farmers
in the valley. He plays for the invasive mangroves,
the mountains we cannot remember origins of, the
point of land the dead leaped from. He's the still point a surveyer
might use to mark the boundaries we've made of this land. He's the
story for which there is
no arc, no denouement. Ignore
him: he's no threat to your commerce or your joy.
Easter Sunday
--5 April 2015
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