6 April 2020
A spectator’s
disciplined trauma, mediated by screens. Turn on, turn off: the
president promises death, hisses its syllable into the mic. The
surgeon general calls it Pearl Harbor. The governor refers to the
apex. We need to flatten the curve, make a literal reading of the graph’s
symbolic ascent and fall. To a child, it might resemble a roller
coaster. We learn to read pandemic. Someone said he was horrified
that characters in old movies failed to practice social distance.
I live beside the
palm at the end of my lanai. It’s like being in a poem, where I
watch the thing before it clangs into metaphor. I watch a
television that shows me trauma’s edges. A doctor, a nurse, a
family member, a friend. All gesture at a horror we cannot see or
smell from here. The patients are sicker than any patients he’s
ever seen. We watch and watch but do not see them.
What happened to the
act of meditation? Performance of thought on a narrow stage, or slack
line pulled taut between two trees. The mist forgot for us. But space
was only apparent. Only a parent can live through this with a small
child. Not ideas in things, but things insulated by the moss of
ideas. (We are humid creatures.) Binaries grow together, their seams
green. Corruption and new growth are one.
The language doesn’t
do synchronicity well. We need to place one thing before the other,
another after. Time is a well set table, though the silver platter’s
covered with roaches. The past is left, the future right. Put a fork
in it. To live inside history is still not to see it. Like walking
inside the walking mountains.
Still a sharp blade
pricks when another dog walker crosses the street to avoid me. My
breath might contain death. I am but a carrier; the virus is agent,
and we its subject. Grammar’s authoritarian. This sentence doesn’t
happen at once. I reconstruct cause from effect and keep walking the
dog.
Age simplifies,
mandates touch. I had wanted to reach out at the moment abstraction
imposed itself. If we’re lucky, we live in thought. If we’re
essential, we cannot. "They" still work in public: in a bus, a train, at a cash
register, a gurney. To be essential is to be in danger. I
wanted to choose proximity, not have it imposed. This will be the
death of urban living, one writer opines. And what then? The rural
areas sit and wait. An essential thought stinks of diesel; it
dissipates. Remember you are not important.
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