I want to write an
honest sentence. A helicopter stitches the mountain, disappearing
into its creases, emerging through mist. A round headlight flickers
on and off. We can hear it, though we don't know its errand: errant
hiker, downed line, plant survey. If you see someone hanging from a
cable, you know. Power cables mimic the mountain's lines in cloud. My
dog tries to play with a gap-toothed gardener who reaches in thick
gloves for his rake. When I say I want to be a Buddhist chaplain, my
kids tell me I'm too angry. The tv keeps me ginned up, even as gin
pins me to the couch. Trump's private audience with Putin is planned
without interpreter or notes. Nothing there! When I write that I
admire Adnan's meditations, Norman responds that no American could
hold such a large view. To make one's world small is characteristic
of men who've been abused as children; getting out in the world is
what spurs anxiety, chaotic word spill, nerve drills. She has to move
her neck when she plays soccer, the blood flow is so strong. But
that's something else. It's all something else, this sewing of lines
or limes—Marthe makes mother into lime and, while her ending
doesn't quite work, the acid image does. My mother Martha hated
herself for hating her mother screaming hysterically in the dark, as
I screamed after my father's heart attack. We try so hard to forgive
the dead, to love ourselves as mothers. Trauma travels generations, a
friend says, his son's great grandfather an opium addict, his son a bit lost. Another grandfather watched his sleeping grandson through
the window--and that was the least of it.
--5 July 2018
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