Sunday, May 31, 2026
The view from McDonald's
Saturday, May 30, 2026
from Startles
Startles
A big brown dog on a gurney, the other side of the window, lifts up her head, looks for her person on my side. My gaze is caught, like a vision of reddest cloth the moment after meditation. Not epiphany, which means too much, or story, meaning too little. I have been soaked in words so long, but I find none now, if words mean.
That her face was chiseled, marvelous, was not lost to me. I remarked on its beauty to the man who brought her. He’d been all the way to Waikele, where no one could see her. But this wasn’t aesthetics, not at all. Her face offered me no affect, no interpretation.
The common trigger, like a virus, is exclusion. Someone pulls it, you count it down, then the monkey enters the brain pan, scampering in its cell. The job of monkey mind, the psychologist tells me, is to make you feel alone. So there’s no monkey there, just shadows, echoes. A rope for swinging on.
You’re in the waiting room, your mind on a swing. There’s an earth mover aria on the sound system, calling out squeals and squeaks and groans. The only sense is return. The blur of it. What shutter speed could slow it down?
My husband listened to Moby Dick sped up on his kindle. It was ok, he assured me, because he could hear his own voice through the mechanical patter. A vision of Pip in a vortex comes up. A vet tech came out to lead the man toward the examination room. Lilith and I left for home.
Friday, May 29, 2026
The family feel
Tuesday, May 26, 2026
The gossip trader
Sunday, May 24, 2026
The [word] is not love
Lilith encounters a reader and a poet
Thursday, May 21, 2026
How many walks fit on the head of a pin?
Wednesday, May 20, 2026
Post-termination walk in the cemetery
Monday, May 18, 2026
from Startles
Stories are grim, but moments burst out like peonies. On Elepaio, a sign reads: “Private Sign / Do Not Read / $500 Fine.” I like the anonymous wit and the threat to me, who can’t be seen by the sign maker. In a framed, cracked mirror, I see my own torso reflected through the encroaching forest, take a selfie, which requires my face, my cap, my camera. I shoot a private photo of the private sign, and post it.
The joke’s on me, but who told it? That’s the funny part. I try to tell the canoe builder a “funny story,” but he asks me if I have any. I tell him one, but it’s not funny. I wonder how he knows about my stories. We’ve exchanged paranoia.
The tall husky mix who walked miles with me ran around the ranger’s cabin after a pheasant and brought it back in her mouth. Veered sharply, trotted back the way we’d come. How we choose other souls to accompany us; how we ourselves are chosen, is a mystery. She wore a collar, so someone had chosen her.
The story was framed by two episodes of forgetting, the first a face and the second a name. Both people recognized me, in a recognition scene that went only one way, or bent before it arrived, like a driveway in the forest. That way, you can’t see the house at the end of the road. It’s built-in privacy, and you can get fined for trespassing. I make the mistake of not asking, again.
Where we once belonged is no longer where you are, my friend. Two years ago you were still alive, looking forward to your granddaughter’s visit, a house on your land, a poetry workshop. You’d told me years before that you were no longer afraid to die. Were you still afraid of the violence, of not being found soon enough to tell the broken story of your death? Does death become you now, like a prayer scarf?
It’s the one way nature of the sign that makes me laugh. Someone has invited me into a conversation I can’t sustain, like talking to the dead. A grant writer invents new words for now forbidden ones: woman is now person; equity is now assumed. Because racism doesn’t exist, we indulge it more. We call it fairness.
Just when you think you belong, you trip hard on the rock of being seen as stranger. To be, long. A temporal measurement, as if duration were the only key. Sympathy sometimes leads to bad writing. Those who try too hard are both admirable and foolish.
Sunday, May 17, 2026
On forgetting
Friday, May 15, 2026
Another termination
Two disasters
Tuesday, May 12, 2026
On "termination"
Monday, May 11, 2026
On chickens
Saturday, May 9, 2026
Volcano, sans Lilith, though I did show off her photo
Wednesday, May 6, 2026
Photo spread from Italy, with prose
Pina Piccolo has kindly published a sheaf of my photos in The Dreaming Machine, along with other photos sprinkled throughout the issue.
Take a close look at the entire journal. https://www.thedreamingmachine.com/
Disappearances
Tuesday, May 5, 2026
In the conspiracy theorist's absence
Monday, May 4, 2026
Design of darkness (to appall)
