Stephen Collis, The Primordial Density Perturbation, Tinfish Retro Chapbook, June 2011. $3
This is a small book about catastrophe. Catastrophes in play are environmental, political, cultural. Vancouver poet, Stephen Collis, makes quick weaves of contemporary language—lexicons of fashion, violence, economics, media-speak, poetics, disaster. His word-sprint reveals the paradoxical richness and paucity of our lingo, rich in material, yet poverty-stricken as a solution-narrative to what ails us. A formidable poet-critic, Collis writes critical poetry about the contemporary world, pulling in with his seine everything from Tahrir Square to the Pacific plastic patch. It's quite a catch.
Stephen Collis is the author of Mine (2001), two parts of the ongoing Barricades Project—Anarchive (2005) and The Commons (2008)—and two books of criticism: Through Words of Others: Susan Howe and Anarcho-Scholasticism (2006) and Phyllis Webb and the Common Good (2007). His most recent book, On the Material (2010), won the 2011 Dorothy Livesay Poetry Prize. A long-standing member of the Kootenay School of Writing, he teaches poetry, poetics and American literature at Simon Fraser University.
Tinfish Editor has blogged elsewhere on Stephen Collis's work.
[Excerpt]
It’s the events we lumpen
struggle agro-crop to
imagine the woops of
primordial density perturbation
or instant class consciousness
you know sea all swelly
of a sudden the perfect
heterotropic ship running
guns for governments or it’s
kefayas! all around Tahrir Square
up-thrust subduction no
two party system but
where did anything come from
and how like curtains
round a wizard ignore that man
tear it off this gauze from
eyes this false separation of
individuals we in this y’all
crap thrown fast from
unheard explosions
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