Go to minute 28 or so for the sermon. It's one of my favorite reviews of Lilith ever! A very sensitive response to the book and its intentions by an old friend, George Harris.
Drafts of prose poems about memory and forgetting.
Go to minute 28 or so for the sermon. It's one of my favorite reviews of Lilith ever! A very sensitive response to the book and its intentions by an old friend, George Harris.
Barbara Roether was kind enough to invite me into the WCP blog to write about looking at the world: https://www.wetcementpress.com/post/attention-exercises?utm_source=facebook&utm_medium=blog.post-promoter&utm_campaign=e4737382-6626-4161-929b-87f547c9ead4&fbclid=IwAR1jq_dOkJBbbJk_TEUryTiCUMozgjQaGhVmMGJEJHREFsLTXvHaGnFl2Vk
Here's the video, which was a real bear to upload. Tim Dyke and I talk about animal companions and the book. I do some readings from the book. People ask tough questions that I'm still re-answering in my head.
https://northofoxford.wordpress.com/2023/03/01/lilith-walks-by-susan-m-schultz/
In Lilith Walks, no description lasts long, though, because of the remarkable temporary qualities of the “dog walk.” As a literary form, a dog walk feels like a remarkable hybrid between inspiration and constraint. The “dog walk” is descriptive yet concise. It balances deep engagement with time and place and often relies on a lightheartedness to carry forth the spontaneous flashes of experience. Even the usual and ordinary are elevated because dog walking is often about established routines and norms. In Schultz’s approach, the form is opportunity to document where norms are broken, where the exceptional occurs.