28 June 2020
I tell the guy
behind me at the Farmer’s Market that I’m sorry to keep him
waiting. No such thing as time, he responds, it’s all a construct.
He sells tea a level below, advises strongly against tea balls, which
don’t let leaves breathe. They come into the hospital, a nurse
says, crying that they can’t breathe. We tell them they’ll get
better, but they don’t. He puts water and leaves in a big carafe
and lets them sit overnight. The woman who sells coffee tells me it
doesn’t matter to anyone else, but she knows which beans are
best. Her roaster is a 175 mile drive there and back; only open on
Mondays and Tuesdays since the pandemic. She can’t get her Square
to read my credit card; she’s kept me so long she might
give me more coffee. Time matters more when you can’t breathe. The bio
pic of Dogen puts the slow in slow cinema; we watch him sit, and then
he sits again. It’s episodic, a kind of meditation porn, where the
point is to get from one meditation pillow to the next. All imaged
thoughts are surreal, like a train running out of a boy’s forehead,
or a giant girl watching her small self from the back. How to release
them into an appropriate size and space. The girl thinks going over
parallel bars might do it. I consider the violence it would take to
free me from repetition. I saw myself
drawn as a cartoon and then chopped to bits. Drop the name, someone
said, so I did, and it resembled mine. The “conceit of deceit” is
about thinking you have a self, Norman says. Let my name be like
Murphy’s ashes, swept up in a bar and flushed down a compost
toilet. In due time, something will grow out of it.
--Volcano
2 comments:
The progress of this through waiting in line, tea, coffee, Square, to the surreal/episodic and the idea of being freed from repetition, all beautifully linked, leading into the name/the compost toilet, which I don't quite follow, or it's bumpy getting there, maybe because the Murphy's ashes throws me. And sure, compost toilets will eventually create compost, but does the name deserve to be thrown in there?
Murphy comes from Beckett's novel of that name. He wants his ashes flushed down the toilet of the Royal Theater in Dublin, but the man taking his ashes there spills them on the floor of a bar. And no, the name doesn't deserve to be flushed.
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