1/30/2020
On the Friday the
Republic dies, there will be a sale on our words. They're more
valuable to us as empty containers than as pith. The store that sells
us on organizing will stack them at the windows, inviting us to use
“democracy” to store our beans, “due process” to hold our
rough drafts. My students find the sonnets uninteresting,
incomprehensible. Yes, there's a speaker in the poems, and yes, he's hectoring a friend. He wants his friend to “breed.” He wants
his friend to last forever, as a collection of words. But we’ll
sell those, too, like the banana taped to a wall that sold for
$250,000 before someone walked up and ate it. The banana gives us
mental energy; I may be remembering my former students’ names
because I ate one this morning. It’s useful, and to suggest
otherwise is a joke. An expensive one. They shake their heads at the
thought. Is it a joke on intrinsic value, on art’s rot, on the
usefulness of duct tape, or do we take it at its word: “banana”?
I’d tape mine to a wall if I could, then take your good money to
dispatch it. If I no longer own the word “idealism,” I cannot be
disappointed when it proves useful in a service economy. The word
“hoard” explains a lot; so does the border wall
that falls in a stiff wind. One field has to do with economies of
love, the other its sickness. The best words aren't just empty; they're translucent in the way plastic is, admitting light while blocking
clarity. The former dive instructor said there were days she surfaced into
fields of plastic. I urged her to start there; that’s an image we
can hold onto. Beneath the ground-cover this morning, I saw a yellow
toy smile at me. I took its picture.
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