I want to write an
honest sentence. I want to write experiments are the new
realism, that they must be conscious, even if their subjects are not.
The Alzheimer's home a colony, run by a bureaucracy of outsiders,
its rules unreadable to the residents. Land and rent its raw
materials. A cure for memory's lacerations, this band of crickets, birds, helicopters, my
husband scraping the wood stove. “They're so beautiful,” she said
of the same flowers, over and again. The red spotted orchid's a
double-decker, petal laid lightly over petal. The next day it's shrunk to a
red point on a green stalk. On Haunani Road, an Asian man stops his
truck and gets out. There's a handicapped sticker on his mirror, and
his legs are bent oddly, painfully, out. “There's a sign up the
road,” he tells me, “to say they're going to subdivide five acres
into 12 lots and build houses.” And those cars! Abandoned, rusted,
sinking in front of an empty house. “The community should have a
say,” he tells me, before getting back in his truck. I find the
sign, cloaked by vines, date it back to 2010, hope it's been
forgotten, or the papers misplaced, and then turn off Hanunai onto a gravel road toward Wright. Development is forgetting by way of accumulation. First
you scrape the rain forest off the lot, then you let it sit, a few
trunks upright in the dark earth. To remember is to love
the material world, to add onto it. Consider
that there's ambition in forgetting, even in being forgotten. He was
so resistant to attention, Miho says of Saijo, that no one's heard of
him. Only a bit player in that movie, sick man in a hospital
who watches his healthy Beat friends light out for the territories.
To be forgotten is perhaps the greatest blessing, but he cannot ask
his friends to abandon the picture of him by his stove, talking
always talking about political corruption and the blessings of pot. To be abandoned is not the worst of it. There used
to be i'iwi's on I'iwi Road, but they fled to Mauna Loa when
mosquitoes arrived. The only i'iwi you see here is a dead i'iwi. They sound like rusty hinges, opening and closing in the forest canopy. I took a picture of a gate on Laukapu Road whose post was
more rust than iron. Lace is an old lady's hobby, she was told. But red lace in a rain forest forgets its category
and dissolves.
--1 August 2017
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