Let it be more abundant than the sea. What
thou lovest well remains only as text. Her breath is the image of a
sound on a narrow bed. To take
one sport on top of the other makes no sense in this world, only in
the preposition of it. She was on the bed and I beside it. We were
past knowing each
another, but not our breathing. This poem threatens you with
sentiment, but I do not. Evacuate the reader's room, if need be, and
empty the lawn of everything that is not green. An
old woman sits on a
low bench clipping grass with her scissors. A
man walks the highway's
shoulder in slippers. Two
pitbulls pull another man forward, leashes attached to a hook in his
belt. He's
thick set, but we've
seen
him do the splits beside his truck. Detail
is memory's refuge and its scoundrel. That's
a word she liked, like eleemosynary.
--7 June 2015
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