from Startles

Startles

I’m shocked but not surprised, startled but unmoved. We'd been the American empire, but suddenly—how suddenly?--we are Romans. Afraid that he won’t be remembered, the president promises to erect an arch for a triumph to be announced later (TBA). Why can’t blasphemy be more fun? You cross over a hill and there it is, the Colosseum!

Festivals of blood replaced by rivers of tourists. We only see what others built, saw diminished, shored up, sold tickets to. To see is a neutral verb. But to see so many seeing so much; I had not imagined so many! I told a boy in Temple valley he was taking photos of a Brazilian cardinal; he didn’t look up. We confine seeing to our own devices, bearing witness in so many private rooms.

“The public” used to park for free. Now, instead of flowering bushes, we get poles with signs on them, telling you how to pay. With your entry to the Temple, you can get a faux Japanese shirt for $58. Tourists mimic pilgrims at the mock temple; to see is to take a pilgrimage, if you follow your maps closely enough. The Holy Sea it ain’t.

The feeling is heavy on us here, where a graveyard mimics Trump’s America. The boss insults his staff, tells them to “get over” their grief if they’re suffering, to “stop eating so much” if they’re heavy. Cameras on poles have replaced the security staff, like some nightmare out of Jeremy Bentham. Tree stumps accumulate, some red setter orange with red setter eyes staring up. Warehouse the dead in these plots or behind black walls.

Nature is our refuge, is it not? The sharply angled mountains, green, promising waterfalls when it rains. The earth, rich and dark, piled beside the road. A man with cut grass fur on his boots, green on brown leather. Another with dirt under his nails pets my dog.

To arrive at refuge, we crop our images ever more narrowly, leave off the absences of bushes and trees, the accumulations of signs. The space of the image grows small as a die, nearly as prone to chance. “It’s my opinion, and I have the right to have it,” a neighbor says, after telling me he “hates poetry.” Who’s to grieve if consolation’s odious? Who’s to praise the ruins?