I and You
Eucalyptus is tree
Bark is not
Eucalyptus is tree
Sap is not
I am alive
You are not
I talk to
You who don’t
Talk to me
Which of us
Is more lonely
Drafts of prose poems about memory and forgetting.
I and You
Eucalyptus is tree
Bark is not
Eucalyptus is tree
Sap is not
I am alive
You are not
I talk to
You who don’t
Talk to me
Which of us
Is more lonely
Billy Mills is an Irish poet, one who devotes a lot of time and energy to reading the work of others. He read my books, Lilith Walks and Meditations carefully, here: https://ellipticalmovements.wordpress.com/2024/03/27/recent-reading-march-2024/
And now he's done an attentive reading of I and Eucalyptus, here: https://ellipticalmovements.wordpress.com/2024/10/23/recent-reading-october-2024-a-review/
We crossed the street to avoid two little dogs that Lilith didn't want to see. Three young men were walking on the other side, coming back from the pool with their towels. One of them greeted me; he'd been on my tee ball team when he and my son were five years old. Since then, he'd been in the Navy. Now? "Doing lots of LGBTQ stuff and singing in the Honolulu Gay Chorus," he said. His mom had a knee replaced a month ago, and is only now driving again. And your dad? I asked. Even then, he and the young man's mother were divorced; he did baseball duty with his son. "You know what your dad said to me once?" I asked. "He told me not to let you act like a girl. I said that was not my job, nor did I think acting like a girl was a bad thing." He said his dad had taken him to try out for another team and had thrown the ball--hard--at him. Hit him three times in the head. Never played baseball again. (And then I remembered the young man's name, because it comes after "the Eskimo" in a Bob Dylan song.) He smiled, said his dad had died of cancer a few years ago, but had always had to remind himself that his son was gay. You could watch the gears moving in his head, he said. Smiled.
Wisdom parami
I’m supposed to
Talk about wisdom
Tomorrow thinking relation
Is where it
Begins or ends
Me and tree
You and me
Even now in
Relation across life’s
Death line you
In tomorrow I
In today still
Spooked by drone
Video of man
In bombed out
Building seated on
Dust couch dust
Man wrapped in
Dust fabric staring
At drone we
Cannot see because
We are it
We kill because
We see / is
That it / vision
As violence when
I only wish
To see you
Whole again and wise
Notes: "The man" is Yahya Sinwar; "you" is Sina
A is for apathy
Om mani peme
Hung you’d mutter
Push back against
The pressure of
Reality (Wallace Stevens)
At least make
Obstacles of sound
To defeat sound
(This morning saws
Shear the dovesong)
And I can’t
Push death away
Or the fascism
You prepared for
By using Signal
(An encrypted app)
I understand apathy
Is push back
Noise reducing headphones
Interfering with interference
Apathy’s active response
To grief to
Murder to misogyny
Stolid cemetery workers
Strip sod / stoic /
They’re older men
Who stop to
Watch traffic below
Like two statues
Shovels in hand
Before they resume
Hard labor for
The death industry
What got Mark
About Dachau was
How exquisitely beautiful
Was the surrounding
Landscape not what
My mother described
When she reported
Seeing corded piles
Of corpses on
Railroad cars men
In striped pajamas
I can see
Wanting to look
Only at one
Not the other
Guarding heart space
A photograph of
You at beach
With Selina smiling
Peaceful heart surf
Your aumakua bird
Forget what came
After / I cannot /
Gaza: Year Two
Sina, we’re called
Upon to speak
A friend sends
Photo of hand
Raised in conflagration
Of Gaza hospital
Says we were
Talking about Radhika
This was mother
And daughter burning
Is it like this
In the afterworld
Outside the box
Ashes scattered like
Glitter for saints
Gleaming faces turned
Up where artists
Hang on trapezes
Let dust fall
To be boxed
Later / Murphy’s ashes
On bar floor
Down theater toilet
Don’t know to
Laugh or weep
This world burning
What do you
Say, dear Sina,
On after-death apps
Maeve killed bird
Yesterday / I buried
It in dumpster
Bryant found rat
Foot in old
Trap in Volcano
All this blood
On our hands
Our claws / Sign
Bomb and let
It rip apart
Kids who can’t
Yet read and
Old women with
Eyes too fogged
To see anything
Beyond clear suffering
"It's awful what they did to our queen," said the small woman in a large sun hat, sitting next to me on a picnic bench at Swanzy Beach Park. "It's men," she said. "I know that women can be cruel, but men have something else going." I'd met her earlier at the other end of the narrow beach with her dog Poni. Poni was Queen Liliuokalani's dog. Looked like the photograph of Lilith I showed her.
"So
you're the person with the righteous bumperstickers!" I said to a woman
at the ticket booth to the Temple; she'd gotten out of a truck with
four Bernie bumperstickers, one I'd wondered about. "Yes, I used to love
Bernie," she said, "but I gave up on him when he surrendered to
Hillary." Now she doesn't care. I said I was happy to see her truck,
because most of the cemetery employees seem to support Trump. She
doesn't like any of them now. They're all on the same team and just
pretend otherwise. She had a spiritual experience during COVID and
realized that none of this matters. Everything will be ok. "But what is
ok?" I asked. She smiled. I asked if you couldn't think both important,
politics and the spiritual life. No, the politics drove her crazy. I
said I wondered at how she could be both so cynical and so hopeful at
the same time. "People call me a walking contradiction," she said.
"Everything will be ok." Lilith and I walked away. "Vote for Kamala," I said.
Identity Positions
Identity is other
People / what they
Want us to
Be / one thing
Or another / or
The operative word
You either fit
None or most
Shape-shifting where
Shape wasn’t goal
But way station
Like a comma
Between clauses or
Items in lists
Store bought selves
Easier to shelve
Than silly putty
Or broken egg
Identity is history
Not essence you
Knew / culture not
Birth stamp but
Stories some of
Which might sometimes
Be true--
Your brothers all
In uniform / lavalavas
Flowered aloha shirts /
Between them complicated
Politics let drop
Easily I lay
On the couch
4 a.m. the next
Morning / jetlagged /
Feeling their grief
As mending as
Scar tissue denotes
Healing more than
Hurt / when Selina
Broke down at
Magic Island's healing
Circle and I
Put my arm
Around her shoulder
("The fittest poet
In the world!")
And the space
Between us warmed
Like you were
In there somehow
Holding out your
Finger which we
Saw directed at
The ocean sky
Whatever is clear
Measure of compassion
Where measure is
Not at issue
Mending comes after
A broken pot
Packed full of
Flowers / gold stitching
To show us
Where potter drew
Shard to shard
Where we made
Lines to erase
Distance you are
There like tree’s
Paperbark mouthing joy
When wind arrives
Gold Watch
No consolation to
Be remembered I
Know / to be
Divorced from am
Or are / verbs
Have lost their
Tenses you need
Not learn them
Or wear watches
(“It’s about time,”
Eddie Vedder says
Of Trump’s $100K
Bling) to see
Time that cannot
Be seen except
In retrospect memory
Invisible fog unless
Developed on leaves
But we yank
Them off branches
Wood and water
Water and wood
Lake sodden with
Houses timber animals
Roofs / who protects
Us now without
Your presence / friends
Orphans / you who
Were drawn to
Underdogs doggedly watch
From heaven’s keyhole
Return to child’s
Images for what
Cannot be seen
As ascension (the
-c in Italian
Sounds as -ch)
Like Chimney Rock
That floats in
Lake Lure no
Allure to wreckage
Someone’s uncle is
Missing someone’s child
Is missing someone’s
Missing as you
Are: there, presence.