I want to write an
honest sentence. I want to write honest sentience, a body of
thought flung into the dark cold of a waterfall's pool. The only good
conspiracies are those that make no sense, those attached to birth
certificates or grassy knolls, but this one with all the i's dotted
and the p's and q's minded, proves entirely coincidental. It's like a
Bond film without the flying cars or Trump (Sr. or Jr.) dancing on
the roof of a fast moving train as it approaches a tunnel too shallow
to accommodate his fat ass. My vocabulary does this to me, and it's
gotten more profane these past months, more consonants per square
inch of vowel, more spit and less varnish. I want to write an honest
sentence, but the words are lacking. They flee from me, the quality
words of substance, the words that anchor me to reality when I think
I know what that is. Depends on how you define the word is. That's a
used up scandal, but this one offers fresh meat on a daily basis. The
rotting stuff sits at the back of the proverbial garage, covered with
maggots and the raven who's been shown to feel paranoia. They make
plans these large black birds, opting out of instant gratification
for something they know takes more time. Re-reading the poet I find
him obsessed with “time,” and with other abstract nouns, birds
that aren't differentiated from one another. Like a menagerie without
a genus, or a genius without a key to the library. When Bryant said,
“bring the rope here,” the dog did so. “Tug of war” is another metaphor based on violence, though it's really only pulling a
rope, like taffy. “Tug of candy” might do as well, and be sweeter
for all concerned. I don't understand a word of his late, later,
latest poems, but they do offer me permission to go on and on. That and coffee start the races; I am a greyhound chasing a
lure. The allure of nature is abstract. A sheaf of rain crinkles as it approaches; I and the dog step up our pace. There's too much
vision and too little sound in our lives, even considering the ear
buds (what flower they?) my students wear to dampen their
anxiety. A wall of sound after the concert in Lyons made us all leave
quietly, like lost sheep. I remember lying in the sleeper car's top
bunk and seeing only the concrete platform. But I heard the
correspondences, too.
--14 July 2017
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